UBIK and Inception

WARNING: SPOILERS AHEAD
If you don't want the book UBIK or the movie Inception spoiled, please stop reading now.
But feel free to bookmark this page and read it later!


When I first read Philip K. Dick's UBIK, I thought, "someone should really make a movie out of this." When I saw Inception for the first time last week, I thought, "wow. Somebody did." That somebody being Christopher Nolan.

In the interest of full disclosure, the two are not the same. There are similar themes, though, and some really neat instances of congruent storytelling.

First up is worldbuilding. Both stories take place in realities very similar to our own. (My favorite kind of science fiction; not the sci fi of laser blasters and warp drive, but the kind of sci fi that takes place 20 minutes into the future.) People still go to work. Corporations still make billion-dollar deals. People fall in love. And they die. But both stories have one or two technologies which are no where near their infancies in the universe in which we actually live.

In UBIK, corporations employ people with special abilities: telepaths, precogs, people who have telekinetic powers. And when a person dies, if they have the money, they can have their body frozen in a special kind of mausoleum where they enjoy a "second life." They can still be communicated with, as long as the tissues of the brain remain somewhat intact. The cold helps preserve it longer.

In Inception, it is possible to access the dreams of another. This is done in the name of big business and usually done in order to steal ideas. Sometimes, though, it is necessary to implant an idea. There are rules, of course. Time and space take on different qualities. It is possible to dream within a dream. If you are hurt, you feel it. If you die within a dream, you wake up.

While these aspects of these stories may at first seem similar, the fundamental story behind each is not: UBIK is largely the story of a man, Genn Runciter, who is trying to figure out what the hell went wrong on his last corporate mission. A bomb goes off. Then some of his colleagues mysteriously die off, aging rapidly as if they had drank from the False Grail. His boss' likeness starts showing up on coinage. It is my favorite kind of story: the ontological mystery.

Inception is a story that is part caper, part tragedy; but I dare to say it is, in the end, the simpler story archetype of the two: the story of a man, Dominick Cobb (Leo DiCaprio), trying to overcome his own inner demons. Both stories play with one of my favorite themes: "what is real, and how do we know it is real?"

Both stories also had the one quality I love and hate about unique fiction: I love it so much, I can't wait for it to be over, even though I know when it is over, I'll be sad about it because I know I'll never be able to read it again for the first time.

The end of both stories is very satisfyingly left ambiguous, and I won't spoil that for you here. The bottom line, though, is that if you liked Inception, you will probably like UBIK. If you liked UBIK, you will probably like Inception. And if you don't like sci fi in general, thanks for reading this far. You are probably lost.

A Quote from UBIK: "It was a tranquil sight, these faithfuls, coming as they did so regularly to pay homage. They brought messages, news of what took place in the outside world; they cheered the gloomy half-lifers in these intervals of cerebral activity. And they paid Herbert Schoenheit von Vogelsang. It was a profitable business, operating a moratorium."

A Quote from Inception: "Well dreams, they feel real while we're in them, right? It's only when we wake up that we realize how things are actually strange. Let me ask you a question, you, you never really remember the beginning of a dream do you? You always wind up right in the middle of what's going on."